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Hold That Nose

by Lisa Miya-Jervis

Copyright 1998 by Lisa Miya-Jervis. Reprinted from Adios, Barbie edited by Ophira Edut and published by Seal Press. I originally ran acrpss this article from the July/August 1999 Issue of Utne Reader. I have placed a copied here on my website, since web links to great articles disappear over time.

I'm a Jew. I'm not even slightly religious. Aside from attending friends' bat mitzvahs, I've been to temple maybe twice. I don't know Hebrew; my junior-high self, given the option of religious education, easily chose to sleep in on Sunday mornings. My family skips around the Passover Haggadah to get to the food faster. Before I dated someone from an observant family, I wouldn't have known a mezuzah if it bit me on the butt. I was born assimilated.

But still, I'm a Jew, an ethnic Jew of a very specific variety: a godless, New York City-raised, neurotic middle-class girl from a solidly liberal-Democratic family, who attended largely Jewish, "progressive" schools. When I was growing up, almost everyone around me was Jewish; I was stunned when I found out that Jews make up only 2 percent of the American population. For me, being Jewish meant that on Christmas Day my family went out for Chinese food and took in the new Woody Allen movie. It also meant that I had a big honkin' nose.

And I still do. By virtue of my class and its sociopolitical trappings, I always knew I had the option to have my nose surgically altered. From adolescence on, I've had a standing offer from my mother to pay for a nose job.

"It's not such a big deal."

"Doctors do such individual-looking noses these days, it'll look really natural."

"It's not too late, you know," she would say to me for years after I flat-out refused to let someone break my nose, scrape part of it out, and reposition it into a smaller, less obtrusive shape. "I'll still pay." As if money were the reason I was resisting.

My mother thought a nose job was a good idea. See, she hadn't wanted one either. But when she was 16, her parents demanded that she get that honker "fixed," and they didn't take no for an answer. She insists that she's been glad ever since, although she usually rationalizes that it was good for her social life. (She even briefly dated a guy she met in the surgeon's waiting room, a boxer having his deviated septum corrected.)

Even my father is a believer. He says that without my mother's nose job, my sister and I wouldn't exist, because he never would have gone out with Mom. I take this with an entire salt lick. My father thinks that dressing up means wearing dark sneakers; that pants should be purchased every 20 years--and then only if the old ones are literally falling apart; and that haircuts should cost $10 and take as many minutes. The only thing he says about appearances is, "You have some crud ." as he picks a piece of lint off your sleeve. But he cared about the nose? Whatever.

Even though my mother is happy with her tidy little surgically altered nose, she wasn't going to put me through the same thing, and for that I am truly grateful. I'm also unspeakably glad that her comments stayed far from the "you'd be so pretty if you did" angle. I know a few people who weren't so lucky. Not that they were dragged kicking and screaming to the doctor's office; no, they were coerced and shamed into it. Seems it was their family's decision more than their own--usually older female relatives: mothers, grandmothers, aunts.

What's the motivation for that kind of pressure? Can it be that for all the strides made against racism and anti-Semitism, Americans still want to expunge their ethnicity from their looks? Were these mothers and grandmothers trying to fit their offspring into a more white, gentile mode? Possibly. Well, definitely. But on purpose? Probably not. Their lust for the button nose is probably more a desire for a typical femininity than for any specific de-ethnicizing. But given the society in which we live, the proximity of WASPy white features to the ideal of beauty is no coincidence. I think that anyone who opts for a nose job today (or who pressures her daughter to get one) would say that the reason for the surgery is to look "better" or "prettier." But when we scratch the surface of what "prettier" means, we find that we might as well be saying "whiter" or "more gentile" (I would add "bland," but that's my personal opinion).

Or perhaps the reason is to become unobtrusive. The stereotypical Jewish woman is loud and pushy--qualities girls really aren't supposed to have. So is it possible that the nose job is supposed to usher in not only physical femininity but a psychological, traditional femininity as well? Bob your nose, and become feminine in both mind and body. (This certainly seems to be the way it has worked with Courtney Love, although her issue is class more than ethnicity. But it's undeniable that her new nose comes with a Versace-shilling, tamed persona, in stark contrast to her old messy, outspoken self.)

Even though I know plenty of women with their genetically determined schnozzes still intact, sometimes I still feel like an oddity. From what my mother tells me, nose jobs were as compulsory a rite of passage for her peers as multiple ear-piercings were for mine. Once, when I was still in high school, I went with my mother to a Planned Parenthood fund-raiser, a cocktail party in a lovely apartment, with lovely food and drink, and a lovely short speech by Wendy Wasserstein. But I was confused: We were at a lefty charity event in Manhattan, and all the women had little WASP noses. (Most of them were blond, too, but that didn't really register. I guess hair dye is a more universal ritual.)

"Why are there no Jewish women here?" I whispered to my mother. She laughed, but I think she was genuinely shocked. "What do you mean?" she asked. "All of these women are Jewish." And then it hit me: It was wall-to-wall rhinoplasties. And worse, there was no reason to be surprised. These were women my mother's age or older who came of age in the late '50s or before, when anti-Semitism in this country was much more overt than it is today. Surface assimilation was practically the norm back then, and those honkers were way too, ahem, big a liability on the dating and social scenes. Nose jobs have declined since then. They're no longer among the top five plastic surgeries, edged out by liposuction and laser skin resurfacing.

I don't think it's a coincidence that, growing up in New York, I didn't consider my nose an "ethnic" feature. Almost everyone around me had that ethnicity, too. It wasn't until I graduated from college and moved to California that I realized how marked I was. I also realized how much I like being instantly recognizable to anyone who knows how to look. I once met another Jewish woman at a conference in California. In the middle of our conversation, she randomly asked, "You're Jewish, right?" I replied, "With this nose and this hair, you gotta ask?" We both laughed. The question was just a formality, and we both knew it.

Only once did I feel uneasy about being "identified." At my first job out of college, my boss asked, after I mentioned an upcoming trip to see my family, "So, are your parents just like people in Woody Allen movies?" I wondered if I had a sign on my forehead reading "Big Yid Here." His comment brought up all those insecurities American Jews have that, not coincidentally, Woody Allen loves to emphasize for comic effect: Am I that Jewish? I felt conspicuous, exposed. Still, I'm glad I have the sign on my face, even if it's located a tad lower than my forehead.

Judaism is the only identity in which culture and religion are supposedly bound closely: If you're Irish and not a practicing Catholic, you can still be fully Irish; being Buddhist doesn't specify race or ethnicity. To me, being a Jew is cultural, but it's tied only marginally--even hypothetically--to religion, and mostly to geography (New York Jews are different from California Jews, lemme tell ya). So what happens when identity becomes untied from religion? I don't know for sure. And that means I'll grab onto anything I need to keep that identity--including my nose.

Copyright 1998 by Lisa Miya-Jervis. Reprinted from Adios, Barbie edited by Ophira Edut and published by Seal Press.

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